15 Ways to Live Like a Local While Visiting New Orleans

31 01 2013

When you live in New Orleans, you get used to being asked for recommendations on where to eat, what to do, and what to avoid. I’ve got my list of recommendations down cold, having shared it repeatedly and, most recently, with some friends visiting for the Superbowl. I figure if it’s good enough for my friends, it’s good enough for the Interwebs.

A note — this is not meant to be an all-inclusive tour guide to the city. This represents the opinions, and the life, of someone actually living here. It’s informed by the restaurants I return to on a regular basis, and in part, by geography. I live in Treme, just outside the French Quarter, and I tend to keep mainly to Mid-City, the Marigny, the Bywater, the Quarter, and the CBD. Therefore, the list below is pretty “downtown” specific. Nothing at all against Uptown, I just don’t get, um, up that way very often. I’m recommending only the places I truly frequent and love. You’ll also notice that there’s nary a Besh or Brennan restaurant on this list. Nothing against them, either. I just don’t eat at any of their restaurants with regularity, though they produce some fine food.

With all that behind us, here’s my top 15 recommendations for anyone visiting New Orleans (I’ve included hyperlinks when there are available websites):

1. Cochon is a must. It’s my favorite restaurant in the entire city. It’s Cajun, but with a twist. I’ve never had one bad bite of food there. Just ridiculously good. Get a reservation. It’s in the warehouse district, near the Quarter. If Cochon is too hard to get into, they have a more casual off-shoot just behind them called Cochon Butcher, which is every bit as good. (For more, and for specific suggestions on what to order, see my recent post about lunch at Cochon Butcher.)

2. I know most people don’t come to New Orleans thinking “barbeque” and yet we have an excellent BBQ place here called The Joint. It’s been written up all over the place and featured on TV shows, and is just damn good. Plus, it’s run by two of the nicest people ever, my friends Pete and Jenny. It’s in the Bywater neighborhood, which is past the Marigny, so a little bit aways from the Quarter. The cab ride will be worth it, though. Leave room for the key lime pie.

3. Other good restaurants I can recommend are Coquette and Lilette – two great spots Uptown on Magazine Street that just do delicious food. Lilette is a little bit fancier, but not crazily so. We’re a pretty casual town! They’re both fantastic.

4. If you’re looking for the best po-boy in town, go straight to Parkway. It’s in the Bayou St. John neighborhood, so if you’re staying in the Quarter, you’ll need a cab to get there, but it’ll be worth it. The shrimp po-boy is perfect, as is the oyster, but it’s only available on Mondays now. They also do great gumbo here. (Whatever you do, do not — I repeat — do not, go to Mother’s. Make the effort to go to Parkway.)

5. A real hidden spot you should try to make time for is a place called Bacchanal, on Poland Avenue, down in the Bywater neighborhood. It’s just magical. It started as a little wine bar, but has expanded with food now, so you can eat dinner there (and the food’s actually really delicious and inventive). The real draw for me, though, is their courtyard and the nightly music they have. The place looks like a run-down old house with a backyard that has lights strung up everywhere and a little stage. It’s just an experience. Only go there only if it’s not raining, though. The key is to be able to be outside in the courtyard, listening to jazz, and sipping on some wine. Magic!

6. For music lovers, Frenchmen Street is a must. Club after club after club with local jazz and other music all times of the day and night. It’s fun to just stroll down it and see what catches your fancy. Lots of times there aren’t covers, if you’re down there early. I particularly like The Spotted Cat, the Apple Barrel, and d.b.a.

7. On Frenchmen is a great little restaurant named The Three Muses. It’s tiny and fills up fast, and they don’t take reservations, but keep an eye out for it. The food’s fantastic there, and you might just get lucky and get a seat.

8. Another place on Frenchmen I love is a Japanese restaurant called Yuki Izakaya. They don’t do sushi there, but instead do Japanese bar food, things like noodle bowls and skewers. Get a bowl of the ramen with pork belly. They have great music here, too, usually some variation of gypsy swing/jazz early in the night, and then later, a DJ takes over and the whole place transforms into some bizarro club scene. Oh, and they display old Japanese movies without sound up on the walls, too. It’s one of my favorite places to eat and to go. A Japanese restaurant, in New Orleans, with a man singing in French and playing his accordion, while Japanese movies play silently up on the wall. Tell me how that gets better.

9. Bar Tonique on Rampart at the edge of the French Quarter is a great place to grab a cocktail. Amazing atmosphere, and a focus on classic cocktails along with a few tweaks to old favorites. It’s one of my favorite places to get a drink, and sure, maybe that’s partly because it’s within walking distance of my house, but it’s also because it’s awesome. Try a Frenchmen’s Dark and Stormy. Good Pimm’s Cups, too.

10. Ride the street car up St. Charles and see the big oak trees and gorgeous old houses. Audubon Park is up that way and is nice to walk around in, too. If it’s summertime, you can hop off the streetcar, buy a snoball, and walk around Audubon Park.

11. City Park is our other big park, and is also worth exploring. The New Orleans Museum of Art is there, too. There’s an abundance of gorgeous old moss-draped oak trees in both City Park and Audubon Park. I never tire of looking at them.

12. The Ogden Museum of Southern Art is a great museum to check out.  It’s always got cool exhibits, and on Thursdays, there’s live music from 6-8.  And then, of course, The National WWII Museum is also amazing, and even has some tasty places to eat inside it.

13. Oh and yes, the beignets are Cafe Du Monde are actually really good and something even locals enjoy. I still get mine with chocolate milk, like I did when I was little.

14. And if you’re a raw oyster eater, head to either Felix’s or Bourbon House right across the street from Felix’s. You’ll see a giant line nearby for Acme. Go on and laugh at the people standing in that line. The oysters at Felix’s and Bourbon House are every bit as good and without the silly wait. Chat with the oyster shuckers, wherever you are. They’re always the nicest guys. Tip ‘em big.

15. Main piece of advice from me: Stay OFF Bourbon Street (except for Felix’s and Bourbon House for oysters). Obnoxious, lowest-common-denominator nonsense. Much better things happening elsewhere in this city.





Hear: Surfer Blood

8 07 2010

I get so excited when I listen to new music that I really connect with. It’s very nearly spiritual. It gives me hope, knowing that people are out there somewhere, creating something new, creating something without being backed by Disney or American Idol or Lord knows what else. That’s how I felt when I first heard Surfer Blood. They’re just so good. And it makes me so happy when I hear just how good they are.

I first came across them when I was scanning listings for The Black Cat, a super-cool club (owned by Dave Grohl, sigh) in Washington, D.C. I wanted to see if anything interesting was coming to town in June, when I was back in D.C. for a few days. I recognized the band Surfer Blood was opening for — The Pains of Being Pure at Heart — but had never heard of Surfer Blood themselves. So I gave ‘em a listen, and was hooked straight away. I bought my tickets for the show in a flash and proceeded to listen to their album “Astro Coast” on repeat until showtime.

Their live show was ridiculously good. I haven’t seen a band live that was that solid, that together, that inspired in quite some time. They sounded amazing, the singer’s voice was just as strong and distinct as on their album, and best of all, they seemed to actually be having FUN. (And I’m sure I’ll be roughed up by an indie kid in black-rimmed glasses for saying this, but Surfer Blood was by far the best band that night…)

Trying to describe their sound leads to me one of those annoying cooking analogies. Sorry. But if you took the Shins, Vampire Weekend, old (read: good) Weezer, a pinch of that Elephant Six pop sound, and a dash of the Beach Boys and mixed it all up — boom! — Surfer Blood. It’s fun, up-tempo, great-to-bob-your-head-to or sing-along-with music.

Their first release, “Astro Coast,” only came out this past spring. There’s not a lame track on the album. Nothing I want to fast forward through or skip. And one thing the band did that I love is including an instrumental track! Pretty unheard of for an unknown band to use space on their first album for an instrumental, at least in this day and age. It’s excellent, like everything else.

I am listening to them as I write this and smiling as I do so. You can, too. Check ‘em out.





Beads in trees

2 07 2010

I love seeing the beautiful old trees Uptown draped in beads from passing Mardi Gras floats. Saw this tree on Magazine Street last night, headed to see the Soul Rebels (with apparently every other person in town) at Le Bon Temps Roule.

And the Soul Rebels… Good Lord it was hot and crowded in there, but so fun.





Hear: Pet Sounds and My Bloody Valentine

27 05 2010

So, it’s not an original thought, but it’s still one that’s worth repeating — please let me know when someone makes a better album than the Beach Boys’ Pet Sounds. My God. I go for a while without listening to it, and then when I choose to revisit it, I am always blown away all over again. It’s pure pop perfection. Every note, each word, every sound envelopes me and amazes me and makes me smile. From the first song to the last, it’s a piece of music that never gets old for me. I can’t imagine I’ll ever tire of hearing it.

I love “Hang on to Your Ego” – truer words couldn’t be written today. (And Frank Black/Black Francis did a cool cover of it for his first post-Pixies solo effort.) I think my favorite song on here, though, is “I’m Waiting for the Day.” That little surprising, rousing crescendo in the last 35 seconds of that song gets me every time. I swear I could listen to it 1000 times in a row.

Released in 1966, Pet Sounds, for me anyway, remains untouchable. Thank God for Brian Wilson.

Another album I’ve been revisiting lately is My Bloody Valentine’s Loveless.  It’s a classic in its own way, showcasing the best of early 90s shoegazer pop-rock. I remember when I first heard it, I was so used to the vocals in music being on top of all the instruments that I didn’t immediately connect with what I was hearing (the vocals here are buried, just another instrument, instead of sitting on top). But a few more listens and I was hooked.

Loveless stands the test of time well (it was released in 1991). Just as bands have tried to recreate Pet Sounds over the years (I’m looking at you, Elephant 6ers), My Bloody Valentine created something that’s been inspirational and influential, as well. They didn’t release another album beyond Loveless (which was just their second), although rumors about something new coming from them have floated around for a few years now.

I was lucky enough to see My Bloody Valentine live in 1992 in Birmingham, Alabama. They, along with fellow shoegazers Lush, opened for Dinosaur, Jr. It remains the loudest show I have ever seen (a Bob Mould gig in D.C. at the 9:30 Club, ostensibly his final plugged-in show before he claimed to be going all-acoustic-all-the-time is a close second). My ears rang for days after all three bands in Birmingham assaulted them with feedback for hours. I seem to remember also standing near a speaker, which I suspect didn’t help matters. At the time, I was too young and stupid to realize what an amazing show I was at, and I had no idea that years later I would remember that as an important moment for those bands, and for my musical development, too.

So, if you haven’t listened to Pet Sounds or Loveless in a while — or worse, ever! — now’s the time… Pull ‘em out and crank it up. 

“I know so many people who think they can do it alone.
They isolate their heads and stay in their safety zones.
Now what can you tell them?
And what can you say that won’t make them defensive?”
– “Hang on to Your Ego,” by the Beach Boys, from Pet Sounds





Hear: new Black Keys and LCD Soundsystem, plus Sleigh Bells

20 05 2010

Loving the just-released Black Keys album “Brothers.” Dan Auerbach’s voice is just ridiculous; the word that keeps coming to mind for me is “caterwaul,” although I mean that in a really positive way. They kept their bluesy, rock sound but tweaked things just enough to fuzz it out here and there and make it interesting and not derivative. Only odd thing to me is that track number 4, “Howlin’ for You” sounds, right at the beginning, just like that song from high school pep rallies where everyone yells out, “hey!” But I can get past that. Quite easily, in fact.

What is there to say about the new LCD Soundsystem (“This is Happening”) that doesn’t include the word “genius?” Tough not to include that one. I cannot get that first song “Dance Yrself Clean” out of my head (“present company… excluded in every way”).  Highly addictive. Singer and one-man-band-extraordinaire James Murphy says this will be the last LCD Soundsystem album. I hope not.

Finally, there’s Sleigh Bells, two kids out of NYC producing some of the strangest music I have ever heard. I can absolutely see why someone would hate them and find what they do grating, but I was sucked in from the first notes. It’s loud, despite what you have your volume set at. I recognize that that makes little sense, but until you hear it, you’re just going to have to trust me. It’s electronic distortion in parts, heavy metal in parts, punk rock in parts, all with this doll-like sugary sweet voice from the female singer on top, and mixed in, and underneath. It’s bizarre, and yet so fun to listen to and dance to. Check ‘em out. I can promise you won’t be bored.








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