For the love of nutria

27 07 2011

This painting by a local artist hangs above a friend’s fireplace (one of those cool ones you find so often down here that sits in the middle of the room and is double-sided). You can see that a lady is holding a nutria in it. We argue about whether or not it’s supposed to be “Mary-esque,” some sort of modern-day bayou pieta. I say yes. I mean look how happy she is, and the gold surrounding her, halo-like. He says no. It’s just a woman holding a swamp rat.

Well, regardless, I covet this painting. I know I shouldn’t admit that. He’s my friend and all. And it’s not like I’d steal it. But you know, if something were to happen to him (hey, New Orleans is a dangerous city!), I think that painting would look damn good hanging on my wall.

 

 





“we can’t turn back…”

15 07 2011

I recently read Look Homeward, Angel, by Thomas Wolfe (not to be confused with Tom Wolfe, of Electric Kool-Aid Acid Test fame). It’s the one and only book I’ve ever read of his, and while it took me a little while to get into it, I ended up really enjoying it. Wolfe was from North Carolina, and died at the early age of 38. He was a contemporary of Faulkner and Hemingway, with Faulkner reportedly calling him the best writer of their generation. His writing is lush and wordy, so it doesn’t surprise me that Faulkner would be a fan.

Look Homeward, Angel is heavily autobiographical. It’s pretty much the story of his childhood and his family and at times I found it hard to read because I knew that. I simply couldn’t divorce what I knew the reaction was to his book when he published it from what I was reading. He had some harsh words and indictments for just about everyone around him and he didn’t shy away at all from writing what he really thought of people in this book.

The other book I own of his, but have yet to read, is You Can’t Go Home Again, which is all about this reaction that his family and friends had to this book being published while he, and they, were still alive. As someone who’s thought from time to time about writing similarly barely disguised “fiction,” it’s an interesting cautionary tale. Wolfe was ostracized after Angel was released. Lucky for him, I guess, You Can’t Go Home Again was published after his death, so any lingering resentments would have had to be taken up grave-side.

Here’s one beautiful passage from the book, in a section about the death of one of his brothers:

“… we can’t turn back the days that have gone. We can’t turn life  back to the hours when our lungs were sound, our blood hot, our bodies young. We are a flash of fire — a brain, a heart, a spirit. And we are three-cents-worth of lime and iron — which we cannot get back.” — Thomas Wolfe, Look Homeward, Angel, p. 461





art reaching up towards the rafters. and the sky.

14 07 2011

At the New Orleans Museum of Art right now, you can find an amazing installation in the entry way.  By street artist Swoon (you can see her in the fascinating, mind-bending documentary Welcome to the Gift Shop), Thalassa stretches throughout the foyer right up to the sky. It’s beautiful and breathtaking in person. And it’ll be there until September 25. Highly recommended.

 





Flights of fancy

31 01 2011

Another “only in New Orleans” moment… Found this set of giant hand-made wings hanging abandoned on a fence near my house, alongside such other discarded items as a broken vacuum cleaner, random clothes and shoes, an oriental rug, and a mattress. You better believe I snapped ‘em right up. Here comes Mardi Gras!





“the music of a free society”

28 10 2010

Read this the other day and it really resonated with me, as we head into another big election, with the political rhetoric and nonsense heating up, as it always does. When you get angry and you get frustrated, remember these words and at least be happy you can freely express yourself.

“We live in a world in which people are censured, demoted, imprisoned, beheaded, simply because they have opened their mouths, flapped their lips and vibrated some air. Yes, those vibrations can make us feel sad or stupid or alienated. Tough shit. That’s the price of admission to the marketplace of ideas. Hateful, blasphemous, prejudiced, vulgar, rude, or ignorant remarks are the music of a free society, and the relentless patter of idiots is how we know we’re in one. When all the words in the public conversation are fair, good, and true, it’s time to make a run for the fence.”
– Daniel Gilbert, from an essay for the Edge Foundation, found in The Best American Nonrequired Reading 2007





“there is no less creative sense than that”

19 10 2010

“The history of religion in the West is nearly equivalent to the history of the failure of preaching. By and large, preaching is a kind of moral violence that excites people’s sense of guilt, and there is no less creative sense than that. You cannot love and feel guilty at the same time, any more than you can be afraid and angry at the same time.”
– Alan Watts, from Still the Mind





“part of a greater certainty”

18 09 2010

A paragraph from the beautifully written book I’m reading right now…

“Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn’t it? And as you split frost-laced wood with numb hands, rejoice that your uncertainty is God’s will and His grace toward you and that that is beautiful, and part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.”

– From Tinkers, by Paul Harding





“it’s ours”

18 08 2010

I love this.

“there is always that space there
just before they get to us
that space
that fine relaxer
the breather
while say
flopping on a bed
thinking of nothing
or say
pouring a glass of water from the
spigot
while entranced by nothing

that
gentle pure
space

it’s worth

centuries of
existence

say

just to scratch your neck
while looking out the window at
a bare branch

that space
there
before they get to us

ensures
that when they do
they won’t
get it all

ever.”

– by Charles Bukowski, from the collection You Get So Alone at Times That It Just Makes Sense





Kindra Arnesen. Badass.

29 07 2010

Kindra Arnesen, of Venice, Louisiana, is what you might call an accidental activist. That’s not to say she’s not wired for the job or not good at it, but I think it’s safe to say it’s not a role she cherishes or ever expected to be thrust into. She’s the wife of a Gulf fisherman and mother to two little children she evacuated from Venice for health reasons, no longer wanting to expose them to the toxic dispersants used by BP, not to mention the, you know, oil. She’s also an inspirational and fearless leader, a voice for the so-called “small people” of South Louisiana’s fishing communities. She’s feisty, sharp, and strong-willed, and I wouldn’t want to go up against her. However, knowing she’s out there, speaking truth to power without any hesitation, makes me feel better.

All of us down here and across the Coast — and, shoot, across this country — owe her a big thank you. So, Kindra, on the off-chance you ever see this, thank you, and please, I know the fight is long and tiring, but we need you. Keep it up.

Here are two videos that can better illustrate Kindra’s strength than I can with words:

Spilling Over  (The Washington Post – a powerful video about the possibility that Venice, LA will cease to exist altogether)

Venice, Louisiana Needs to Evacuate (YouTube — this is a speech Kindra gave back in June and was the first thing I saw about her)





“From this hour, freedom!”

21 07 2010

I’m leaving for a little vacation, sans computer, and won’t be back until next Tuesday evening. Until then, I leave you with a verse from one of my favorite pieces of poetry about traveling, and life…

“From this hour, freedom!
From this hour I ordain myself loos’d of limits and imaginary lines,
Going where I list, my own master, total and absolute,
Listening to others, and considering well what they say,
Pausing, searching, receiving, contemplating,
Gently, but with undeniable will, divesting myself of the holds that would hold me.

I inhale great draughts of space;
The east and west are mine; and the north and the south are mine.

I am larger, better than I thought;
I did not know I held so much goodness.

All seems beautiful to me;
I can repeat over to men and women, You have done such good to me,
I would do the same to you.

I will recruit for myself and you as I go;
I will scatter myself among men and women as I go;
I will toss the new gladness and roughness among them;
Whoever denies me, it shall not trouble me;
Whoever accepts me, he or she shall be blessed, and shall bless me.”

– From Song of the Open Road, verse 5, by Walt Whitman








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